Somebody should stand up and say: “Stop that now”, before people start to believe there’s an affiliation between the artist, the song and the cause. If anything its appeal grew strong for me the more I learned about the craft of songwriting. It’s a really great and unusual song. You Can’t Always Get What You Want appears in its opening scene – the big funeral. I blame them for the fact that everyone else is still on the road. Finally, a cacophonous climax, the record ending with free-tempo distorted guitar chords rising from the bowels of the earth. The background music is so rhythmic, but the vocal… he just sings normal. Somewhere I still have the original vinyl. For me, it never grew old. Mike Portnoy: I know I’m in a complete minority, but my favourite Stones album is Their Satanic Majesties Request. I remember learning and playing it in 1964 when I was just seventeen. Rod Argent, The Zombies: I don’t have a favourite Stones song – there are just too many great ones – so I’m going to go for something slightly idiosyncratic and choose a B-Side of a single. Walter Trout: I’ve heard that song twenty thousand times, but to this day when it comes on the radio I turn up the volume and completely lose it. William DuVall, Alice In Chains: From the moment I first heard it, I loved everything about that song. It’s also has a great chorus. Have You Seen Your Mother, Baby, Standing in the Shadow? Bob Dylan used the phrase in a classic song. (Classic Rock) 10 January 2020, We asked some of rock's brightest stars to tell us about their favourite Rolling Stones tracks. The song of theirs that I like the best I got into via the movie The Big Chill. They have released 25 studio albums through 2016 and recorded 422 songs. It was the most stunning thing I’d ever seen in my life. Papa was a rolling stone But I wanna be a cover of the rolling stone Only if I know that I can do it alone Only if I know that I can do it alone. Until then I’d been a fan of The Beatles and The Shadows, so it was a turning point for me. The group made the cover of Rolling Stone magazine on March 29, 1973, three months after this song was released. In pop or rock, once you hit twenty, or at a push thirty, you were over. When they finally nail it, it just rolls. Cooder worked as a session player on various Stones songs between 1968 and 1969, played slide on the Jagger-starring 1970 movie Performance and was another of the guitarists rumoured to have been in contention to replace Brian Jones. It was one of the first perfect rock-meets-pop songs. In terms of songwriting, I thought it saw them reach a plateau. Philip Wilding Rolling Stone is an American monthly magazine that focuses on popular culture. The Rolling Stones in Concert, Muddy Waters & The Rolling Stones Live At The Checkerboard Lounge, Chicago 1981, 25×5: the Continuing Adventures of the Rolling Stones, Olé Olé Olé! Although I was only around fifteen, my mates and I were out in New Cross, Lewisham and Deptford, and that song was a dance-floor filler. I, Drive-By Truckers keep their anger sharp on The New OK, LadBaby’s remake of Journey’s Don’t Stop Believin’ is awful, obviously, but that’s really not the point. Start Me Up When they finally stumble across the rhythm that’s used at the start, it’s just fascinating. The Under Assistant West Coast Promotion Man, List of songs recorded by The Rolling Stones, More Hot Rocks (Big Hits & Fazed Cookies), Through the Past, Darkly (Big Hits Vol. Back when I was in Guns N’ Roses we tried to cover that song [in 1994 for the closing credits of the movie Interview With The Vampire], and I wasn’t particularly happy about that. Back in 2007, when we went out as an opening act for some shows with the Stones, Mick took me on stage for a couple of songs. One day my landlady knocked on my door, telling me of a call from somebody. It’s a monster. It’s from that period just before they became this properly nasty rock’n’roll band with Beggar’s Banquet and all that. I’m gonna go with (I Can’t Get No) Satisfaction, because Keith Richards once told my good friend Alan Clayton that it was his own favourite Stones song. Let me tell you, the place was swinging. Mick Jagger’s range is kind of limited, and a lot of times he talks his way through songs, so they’re easy for me to sing, since I don’t consider myself a real lead vocalist. Todd Rundgren: I was a big fan of the Stones, especially their album Between The Buttons. We played it at a local youth club dance, and a gang of nasty biker youths keep saying aggressively: “Play it again.”. I was lucky enough to see the Stones circa their debut single, Come On [June 1963]. The guitar riff was as legendary as it gets. Credit for those extraordinary sounds must go to the engineer the band worked with at RCA Studios in Hollywood, Dave Hassinger. In spite of my polite explanations that we had already played the song three times there was little option, as we could not afford to replace trashed guitars and amps. Get Yer Ya-Ya's Out! Visit our corporate site. Fish: In my youth I was more of a Beatles than a Stones guy, but I got into them later on. It was 1975, and I was aware that my schoolmate Luke Morley, who set up to audition, was a guitarist. For one of the world’s most successful groups to have issued and promoted such a left-field single at that point in their career revealed a progressive, albeit arrogant mind-set, though that didn’t stop the record becoming another top-ten single on both sides of the Atlantic. The band were inducted into the Rock and Roll Hall of Fame in 1989. Danny Bowes, Thunder: It’s the song that I auditioned with to become the singer of my very first band. There’s something sinister and bad-ass about it. We have 58 albums and 638 song lyrics in our database. Rudolf Schenker, Scorpions: I love Satisfaction because of the riff, which is so easy to hum. During the studio sessions for Like a Rolling Stone in June 1965, Bob Dylan could not have known that he was recording what would be called “the greatest song of all time”. Current page: Lips, Anvil: My earliest influence was the Stones, mainly because as a beginner guitarist you could actually manage to play bits and parts of songs, whereas with The Beatles you needed a song book to learn the difficult chords. I’m fanatical about it. 500 Greatest Songs of All Time Rolling Stone’s definitive list of the 500 greatest songs of all time. The original lineup consisted of multi-instrumentalist Brian Jones, lead vocalist Mick Jagger, guitarist Keith Richards, bass guitarist Bill Wyman, drummer Charlie Watts, and keyboardist Ian Stewart.Stewart was dismissed from the lineup in 1963 … Whenever I hear it now I’m transported back to the smoky rehearsal room and that drum kit. I was skint, but borrowed the extra cash from my mother – which took weeks to pay back, but boy it was worth it. Brian Wheat, Tesla: Because some days I do feel like I’m two thousand light years from home, and this song always captures the mood. I was in England and had just joined a band. The album, a two disc set, reached #1 and is considered by many to be the group's best album. He was replaced by ex Faces guitarist Ronnie Wood. They made me think: “I really like that bad-boy image.” I fought that change, but eventually I had to go with the flow. The Spider And The Fly was the flip-side of (I Can’t Get No) Satisfaction. The text next to their picture read: "What's Their Names Make The Cover." George Glover, Climax Blues Band: As a teenager I was a huge Beatles fan, buying everything they did with my paper-round money. The Rolling Stones are an English rock band formed in London in 1962. Music, Film, TV and Political News Coverage. It’s the high point of that album, though I’m probably the only person to ever say that. The more I thought about it, I was where I wanted to be in life. The dynamic – the way it builds into this incredible gospel chorus – really appeals to me. Where would we be without them? It really helped them to reclaim their identity. Dave Gregory, Big Big Train/XTC: September 1966: “Turn that noise down!” I’d just turned fourteen and my world was in turmoil. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. 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